Racial tensions and America's civil rights movement have previously figured into Walter Mosley's series about sometimes-sleuth Ezekiel "Easy" Rawlins. But Bad Boy Brawly Brown turns what had been a background element into compelling surface tension. The year is 1964, and though Easy seems settled into honest work as a Los Angeles custodian, he's having other problems--notably, his adopted son's wish to quit school and lingering remorse over the death (in A Little Yellow Dog) of his homicidal crony, Raymond "Mouse" Alexander. Yet he remains willing to do "favors" for folks in need. So, when Alva Torres comes to him, worried that her son, Brawly Brown, will get into trouble running with black revolutionaries, Easy agrees to find the young man and "somehow ... get him back home." His first day on the job, however, Rawlins stumbles across Alva's ex-husband--murdered--and he's soon dodging police, trying to connect a black activist's demise to a weapons cache, and exposing years of betrayal that have made Brawly an ideal pawn in disastrous plans.

Mosley's portrayal of L.A.'s mid-20th-century racial divide is far from simplistic, with winners and sinners on both sides. He also does a better-than-usual job here of plot pacing, with less need to rush a solution at the end. But it is Easy Rawlins's evolution that's most intriguing in Brawly Brown. A man determined to curb his violent and distrustful tendencies, Easy finds himself, at 44, having finally come to peace with his life, just when the peace around him is at such tremendous risk. --J. Kingston Pierce

Easy Rawlins is out of the investigation business and as far away from crime as a black man can be in 1960s Los Angeles. But living around desperate men means life gets complicated sometimes. When an old friend gets in enough trouble to ask for Easy's help, he finds he can't refuse.

Young Brawly Brown has traded in his family for The Clan of the First Men, a group rejecting white leadership and laws. Brown's mom asks Easy to make sure her baby's okay, and Easy promises to find him. His first day on the case, Easy comes face-to-face with a corpse, and before he knows it he is a murder suspect and in the middle of a police raid. Brawly Brown is clearly the kind of trouble most folks try to avoid. It takes everything Easy has just to stay alive as he explores a world filled with betrayals and predators like he never imagined.

Big Boy Brawly Brown is the masterful crime novel that Walter Mosley's legions of fans have been waiting for. This book marks the return of a master at the top of his form.

Despite the success of his color-coded Easy Rawlins series, Walter Mosley dares, with Blue Light, to go where few mystery writers have gone before. The novel is pure (if not simple) science fiction, less evocative of Philip Marlow than Philip K. Dick. It begins during the 1960s, when flashes of extraterrestrial blue light enter the bodies of several Northern Californians. Those struck by the flashes immediately take on superhuman abilities. Mosley's narrator, Chance, is not himself a recipient of the heaven-sent beams, but after a blood transfusion from the leader of the Blues, his consciousness expands. The biracial, suicidal Thucydides scholar becomes a supernal historian of his new, blue-inflected peer group. He dreams of a "far-flung future, when science is not estranged from the soul" and where human beings will see the world with the purified vision of his enlightened brethren. Still, he is powerless in the face of the Gray Man--a vicious incarnation of evil who seems intent on wiping out the entire Blue population. Somber and violent, bizarre and oddly reverent, Blue Light marks a promising new direction for Mosley. What's more, the dangling threads at the end intimate a vast epic to come (Mosley has suggested that a trilogy awaits) and a literary challenge that's anything but Easy. --Patrick O'Kelley