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Barbara, Storyteller with a Message |
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The
enormous influence of her father, whom she calls "my favorite modern Greek
storyteller," is told below (see sidebar). But he wasn’t the only
storyteller who influenced Barbara’s life as she grew. For all its sadness,
her home had the qualities of a Greek village. Greek merchant marines
visiting America would came to her home, and all the relatives and friends
from the home village would sit around the dining room table and tell family
stories, folktales and stories from Greek mythology. "Our house was always
filled with aunts, uncles, cousins, friends and neighbors. I especially
remember being embraced by Sophie Anastasia, an 18 year old college student
who came to live with us when I was 7 years old and told us stories at
bedtime. She was a ‘once upon a time’ kind of teller and introduced me to
the Brothers Grimm, Hans Christian Anderson, Alice in Wonderland,
to name a few." |
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Barbara (Û ) leaves her
beloved Greek Island – a babe in arms - with mother Margarita and
older siblings, Yianni and Calypso. The memory of that day lingers on
through the power of story… |
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The Storytellers: Tellabration:
November
2000 (above) – November 1999 (below) |
The African Folk
Heritage Circle Storytellers joined Barbara at New York City Hall when she
received the Greek Heritage Award for her distinguished body of work. (L-R)
Thelma Thomas, Joyce Weiss, Abike Jotayo, Leontyne Watts, Mut Nefereith and
Dr. Joyce D. Duncan. (3/29/2000) |
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Why she tells stories (in a
tiny nutshell):
"Each time I share stories, whether center stage, personal, folktales,
picture book stories, I am amazed at the resiliency of the human spirit to
overcome and/or circumvent obstacles along the way." Barbara believes that
the role of the storyteller is "to foster communication and understanding
and bring people together. As we listen to one another’s stories and
folktales we explore universal themes and we preserve individual cultural
identity, at the same time we’re celebrating diversity as a strength." She
adds, "there are basically only a few stories going around the globe, and we
all tell the same story colored by cultural perspectives. It’s really about
connecting with people."
Her pet peeve(s)
"Most New Yorkers do not
understand and/or respond well to the word ‘storytelling.’ They think it is
a pastime or something we do just for children. It’s a struggle to build
audiences in New York City because there are so many things going on in the
entertainment business. Outside of school settings, storytelling in the
traditional sense of the word is probably more successful in small towns."
She finds particularly frustrating that many people, Greeks included,
don’t understand storytelling. People immediately think of "reading."
In "reading," the reader and "story" exist separately; in
storytelling, the story can literally take possession of the teller, with
startlingly dramatic results. |
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