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  NOSTOS
DESPINA CRIST
$13.00 /Pages: 184

 

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  • Maryo’s world-weary mother, a hundred years old refugee from Asia Minor, cannot sink into death because her anguished mind refuses to give the order to the soul to depart. Her mind demand understanding of a life, that had gone on for so many years, yet seemed so shot: "Was it a moment’s dream or centuries long nightmare?"

 

  • Despina Lala Crist's EXOTIC by Dora Tsimpouki, Professor of English Studies, University of Athens.  The work of Despina Lala-Crist is truly inspired, for it is based on the quest for a spiritual, transcendent center capable of healing the existential suffering brought on by the fragmentation and de-spiritualization of the world.  Despina Lala-Crist is a tested author who has worked in a variety of literary forms.  Among her outstanding critical works is her study of the work of Giorgos Heimonas  (Sto Kaleidoskopio tou Giorgou Heimona, Kastaniotis, 1984). Her novel NOSTOS, published in Greek by Kedros, 1992, is a dazzling panorama of life in the Greek community of Asia Minor before and after the catastrophe.  What feelings and what events are enclosed within these dramatic scenes!  This polyphonic novel had the good fortune to be rendered in English by translator, and husband of the novelist, Robert Crist  (Seaburn, 2001), who engaged in the text with love and care so as to convey this memorable but painful period of Greek history into universal expression.  Turning to EXOTIC (TO XOTIKO, Periplous Editions, 2002), one can maintain that Despina Lala-Crist's most recent novel belongs in theme and form to the  world of NOSTOS, since it treats the same scene and period. The heroine of the novel, who is intentionally unnamed, is the orphaned, illegitimate offspring of a old landowner and a young girl in Asia Minor. The three chapters of the novel become the narrative of the heroine's process of maturation--that is, the realization that "Life is a bright, brief ceremony," as described by the woman who undertakes the heroine's care following the death of her natural mother.  And the woman continues, "Embellish it well and execute every detail that is worthy." In this execution of existence, two worlds unfold--the realistic one and the transcendent one--which constitute the heroine's reality.  Her world is, then, the harmonious blending of the real and the imaginary, the co-existence of the immediate and the distant, the perception of spiritual beings (exotics) as an inseparable part of everyday life. In EXOTIC the complex preparation for adulthood is a process that is esoteric and directed always toward the  past, the way back.  The word back has a double significance.  On the one hand the movement back is from  immediate sensations to the discovery of essence. On the other hand, the way back is toward the past, which is reconstructed by imagination through memory.  In this journey back in time and beyond appearances, the heroine has a companion,  guardian and guide--Theophilos.  Theophilos is the man who was overflowing with love toward her mother, even though she refused him. Theophilos also embodies the living proof of the actuality of nature spirits (exotics), which--according to the villagers--have touched Theophilos and robbed him of speech.  Theophilos who, according to his fellows, is the victim of an evil fate that is jealous of the carefree happiness of ordinary people, becomes for the narrator  (and the author) the most eloquent expression of human wholeness, the most convincing apologist for the  divine presence in nature, the visionary of an invisible world which escapes most of us. Theophilos speaks rarely, only when he has something of substance to communicate, and his language is economical, pungent, lucid. These are some of his sayings.  "Guard your soul against evil thoughts and bitter words."  "The whole universe is a great miracle declaring the presence of God."  "Things tiny and great were created for our delight."  "On the dark side, a person is lost."  "The person who feels deeply, thinks deeply. Look for the the answer within you."  Writing a prose, as Nabakov put it, that works like poetry, Despina Lala-Crist's novel treats such themes with boldness and insight, lending a revived meaning to the legends and stories of our folk heritage.